In my head I think that would fill in a lot of the space on its own, ignoring any modifications to the piano, but don't be afraid to experiment. Because the wind instrument and vocals don't play concurrently you don't have to worry about frequency overlap as much, and I think the blend in this section is particularly good frequency and harmonics wise. If you're looking for a final destination for the vocal EQ, try bringing it into some of the same space as the (clarinet?) at 3:10. The next big step in terms of automation was in 2009 when Waves’ Vocal Rider plug-in was released. I since used Hornet Autogain Pro which is only 11 euro at the moment and while it wasnt as immediate as the Waves its results didnt seem any worse. Didnt bother with WUP to update the Waves one from 32bit version just for this. You might also have to ride some automation to get the product you intend. Waves Vocal Rider maintains a consistent vocal level that can react to the overall mix via side-chaining. I found the audio always needs some manual editing afterwards.
dogbizkits had a great point about the dynamics in that the piano is relatively spread while the vocals are not so much. As it is it's difficult to hear whether the piano or the vocals are the central focus of the piece (as a 'content' listener it's obvious, but technically the ear gets a bit confused).
I think this would be a good candidate for some (light) usage of either a compressor or a limiter on the piano. Customers can browse Best Selling and Top Rated plugins and can download Free VST Plugins, Demos and Trial Versions before purchasing.
I agree with other commenters about bringing up the body in the EQ on the vocals. Pluginboutique is the place where the best music software companies come to sell their VST Plugins, Virtual Instruments, Synth Presets and Music Plugins to Producers, Musicians and DJs worldwide.
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